Hundred Waters




“Extraordinary experimentation that burns bright against the stark vocals of frontwoman [Nicole] Miglis”
Best Fit

“Hundred Waters remind us just how brilliant they can be”
The 405

“Undulating, ever-evolving pop”

Listen to ‘Blanket Me’ here:

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LA-based trio Hundred Waters – comprised of vocalist Nicole Miglis, producer Trayer Tryon and drummer Zach Tetreault – have announced their long awaited new full length, Communicating, will be released on 14 September via !K7. Along with the announcement the band have shared new single ‘Blanket Me’, a stirring piece of piano-driven catharsis that demonstrates the leap in songwriting and performance the band has undergone in the three years since 2014’s critically lauded The Moon Rang Like a Bell.

Communicating is a grand and ambitious album with an increased focus on composition that energises more than ever before. At the same time it’s more confidently experimental, unafraid to spike its pop hooks with noise, or build elaborate, fractal-like patterns out of Miglis’s multitracked voice. The album follows the release of their recent Currency EP as well as the continuing success of FORM Arcosanti, the festival they founded themselves and curate (headliners this year included James BlakeSolangeFather John Misty and Future Islands).

In the span between albums the band have travelled, separated, reunited, lost a band member, questioned relationships and strove to understand what it means to be together. At the core of the album is the relationship between Nicole and Tray, which catalysed the band in 2012. The album raises questions of romantic and non-romantic love, self-realisation, growing apart, and finding understanding. To keep it close, the album was written and recorded largely at home (the trio have maintained a shared living space over the years, moving between different homes in Los Angeles). Nicole chose to cut herself off from the outside world and recorded herself in her closet. Tray produced at the kitchen table or wherever he could make room. When they needed extra space, they set up outside the walls for a bit (drums and piano were recorded in a converted Detroit church).

Where Communicating ultimately succeeds is on the most personal, intimate level. It’s an album steeped in intense emotion at every turn, from the melodies to the rhythms to Miglis’s dramatic vocal delivery. “From a broad lens,” Miglis says, “the album is a breakup. It starts with a need for independence and it ends with an ‘all better,’ like ‘we did it’: we learned, we loved, we separated, and now it’s time for the next chapter.”

The band heads out on a US tour this Autumn; three weeks of dates across the length of the country supported at various points by Kelsey Lu and Lafawndah

Listen to the Currency EP and read an interview with the band via NPR here: