Caitlin Rose announces new album The Stand-In & UK dates
The supremely talented Caitlin Rose returns with her new album The Stand-In on 25 February 2013. You can hear her classy comeback âNo One To Callâ here –
http://soundcloud.com/names-records/caitlin-rose-no-one-to-call
Artist: Caitlin Rose
Title: The Stand-In album
Label: Names
Release Date: 25 February 2013
Formats: CD/DL
Distribution: ADA
Cat Number: Names48CD
Website: www.thecaitlinrose.com
If you fell in love with Nashvilleâs Caitlin Rose and her garlanded 2010 debut album, Own Side Now, you were in good company. Led by her golden nectar voice, an irrepressible personality matched with a gift for emotionally direct songwriting, and deliciously melodic country sounds, Caitlin Rose beguiled and flat-out, jaw-droppingly impressed wherever she turned.
Racking up Albums of the Week plaudits from The Sunday Times, The Independent, Independent on Sunday and Evening Standard, to Albums of the Year placings from Rough Trade Shops (#4), The Sunday Times (#3 Best Newcomer of 2010 and #2 Best Song for âShanghai Cigarettesâ), Time Magazine (#7), The Sun (#11) and remarkably Album of the Year at the Nashville Scene newspaper.
Festival audiences swooned to her magnetic stage presence at the iTunes Festival, on the main stage at Green Man, while End of the Road demanded an encore performance and upgraded her to the Big Top stage. She covered the Arctic Monkeys for a Record Store Day 7â released on Domino. From radio sessions with Lauren Laverne, Marc Riley and many more, to a sterling debut UK TV performance on BBC TV Newsnight Review (http://www.youtube.com/watch?v=rdEyxcGJYHA), even the likes of venerated songwriter Nick Lowe chipped in, giving Caitlin Rose the nod for her cover of âLately Iâve Let Things Slideâ on the Lowe Country tribute album.
At 25, Caitlin Rose returns with her follow up album, The Stand-In. The scope of her progression as an artist is palpable from the outset, and Rose herself concurs.
âI have a tendency to work small so this album is like my first attempt at a high kick,â acknowledging Own Side Now as a more pared down recording.
With the warm and rousing, full-band depth of âNo One to Callâ, she immediately signals not only her personal growth but the maturing of the musical relationships within the band, and crucially, the sense of a collective pull in the same direction.
âSelf-exploration isn’t something to take lightly and I learned a lot about myself this time around, but this was more of a team effort than anything I’ve ever done.â
Working with old friends, Nashville producers and musicians Jordan Lehning and Skylar Wilson, and her bandmates Jeremy Fetzer (electric guitar) and Spencer Cullum (pedal & slide guitar), her crew was tightly bonded.
âI never saw myself making the record without them,â she says of Fetzer and Cullum. âWe carved out a sound together both travelling as a trio and as a full band. The two of them have created a rare chemistry that is difficult to come by. They work so well together musically, but also thereâs a friendship there that makes any tracking or live situation easy to thrive in.â
Rose and her crew handpicked local Nashville musicians they knew would accentuate individual songs, with a veritable orchestra of players contributing cello, violin, saxophone, trumpet and mandolin. Careful pre-production deliberations concerning arrangements, a focus on achieving the best performances and a highly conducive studio atmosphere have paid off, with wildly good results.
âVance Powell’s mixing which really took what we had and morphed into this monster that it is now,â Rose explains. âHis ears and instincts are spot on. There are a lot of differences in sounds according to feel and he really paid attention to these songs, which is much appreciated.â
Thereâs also the small matter of Roseâs songwriting collaboration with Gary Louris (The Jayhawks), on two songs.
âGary and I got on like bandits,â she grins. âCollaboration is supposed to be fun, if it’s not you should just stick to writing by yourself. It often brings out the best in me, though.â
The greatest block to creativity is old judgementalism. http://seanamic.com/order-5246 order cheap cialis But, these are just effects of lack of sleep, stress, anxiety and depression. cheap generic sildenafil Kamagra buying cialis from canada Fizz is also known as a PDE5 inhibitor that inhibits the action of the PDE5 enzymes in the penile routes causing for the failure of erection level in men. Erectile dysfunction or ED is the inability to get and viagra lowest prices see these guys keep firm erection and to boost sex power. Itâs hard not to agree, with âOnly a Clownâ an epic, sky-blue horizon, wind-in-your-hair road trip of a song that sounds fifty feet tall but is somehow contained within three-and-a-half minutes, and âSilver Singsâ a properly cranking pop song, with Roseâs vocals as stunning as ever.
On the flipside is âGolden Boyâ, one of the songs Rose wrote on her own, and could be considered the emotional heart of the album.
âIt’s the closest we came to one aspect of what I would like to achieve musically. I’ve been big on that 1950’s Hollywood soundstage vibe, and felt the need to try something dramatic.â
With its swoonsome strings and woozy pedal steel, âPink Champagneâ is also a hat tip to silver screen musicals. âInspired by a Joan Didion story called Marrying Absurd,â Rose says. âHer essays were sort of my foray back into writing. She created a character in my mind that I wanted to live through for a minute, and âPink Champagneâ is the result.â
This is an album that contains multitudes though. âEverywhere I Goâ is brimful with heartburst emotions and the aching rush of first love. Thereâs âWaitinâ, a vampy, rollicking âdone-you-wrongâ song that kicks like a mule, with killer soul revue backing vocals. Classic ragtime, complete with massive opening drum fill even gets a showing, with album closer, âOld Numbersâ (you know those ones, you keep them in your phone, just in case).
âMy obsession with Bob Fosse went into overdrive after we wrote this. Cabaret, All That Jazz, Lenny. These were all big inspirations for me in the record personally. Fosse himself is a subject I am fascinated with and he’s been a driving force in my creativity for a while now. He’s a devil on my shoulder that I am more than happy to oblige.â
The outpouring of acclaim Caitlin Rose generated with her debut is about to become a deluge. The Stand-In is Caitlin Rose unabashedly stating her case for being at the very forefront of the burgeoning âNew Nashvilleâ.
Praise for Caitlin Roseâs debut album Own Side Now:
âConfident, adventurous, eclectic and fun, this is a stunning debutâ
âAlbum of the Weekâ 5/5 Sunday Times
âThe best thing to come out of anywhere for a very long timeâ
âAlbum of the Weekâ Independent on Sunday
âNever mind one to watch, hereâs one to hearâ âAlbum of the Weekâ 4/5 Evening Standard
âFor fans of Emmylou Harris and Gillian Welch, this debut will be like catnipâ
âAlbum of the Weekâ 4/5 The Independent
âThe 21 year old with the bell-clear vocals scarcely puts a foot wrongâ 4/5 Uncut
âHer debut proper more than lives up to expectations⌠lovely stuffâ 4/5 Q
âOwn Side Now is a beautifully-wrought emotional rollercoasterâ 4/5 The Sun
âMajor star alertâ Guardian Guide
âThis Nashville-raised Rose is an impressive bloomâ The Observer
âThrillingly finds her own voiceâ The Guardian
âHer voice is as sweet as Saturday night whisky and rings as clear as a Sunday church bellâ
4/5 Daily Mirror
âThe vulnerability in Caitlinâs voice chimes as true as the clink of a quarter in an old jukeboxâ 8/10 NME
âSweet sounding, fabulously wry vocal drawl⌠a 21st century talentâ Metro
Live Dates â
Tues 26 February Bristol Fleece
Wed 27 February London Dingwalls
Thurs 28 February Leeds Brudenell
Fri 1 March Manchester Ruby Lounge