Caitlin Rose sells out London shows & announces Rough Trade in-store

Caitlin Rose has SOLD OUT both her London shows at Dingwalls on 27 February and Brixton Windmill on 3 March. A further set of UK dates have been announced, starting next month.

The exceptional new album The Stand In is released on 25 February 2013, check out the track ‘I Was Cruel’ here: http://www.spin.com/articles/caitlin-rose-i-was-cruel

Praise for The Stand-In:
“A startling reminder of the enormous potential she is still, at 25 years old, just starting to realise” Independent On Sunday
“The Nashville songwriter delivers another set of superior country-roots tunes” Uncut
“The Stand-In drips effortless songwriting and expert picking… what a lovely record from the young great from Tennessee” Monocle
“The epitome of modern day Americana, Rose’s music is all aching telecaster twangs and weeping pedal steel – shot through with unapologetic hooks and melodies sweet like honey nectar.” The Line of Best Fit

UK Dates:
Mon 25 Feb Brighton The Haunt, £11.50 www.seetickets.com
Tues 26 Feb Bristol Fleece £11 www.seetickets.com
Wed 27 Feb London Dingwalls SOLD OUT
Thurs 28 Feb Leeds Brudenell £11 www.seetickets.com
Fri 1 March Manchester Ruby Lounge £12 www.seetickets.com
Sat 2 March Glasgow CCA £10 www.seetickets.com
Sun 3 March London Brixton Windwill SOLD OUT
Mon 4 March London Rough Trade East in-store

Artist: Caitlin Rose
Title: The Stand-In album
Label: Names
Release Date: 25 February 2013
Formats: CD/DL
Distribution: ADA
Cat Number: Names48CD
Website: www.thecaitlinrose.com

If you fell in love with Nashville’s Caitlin Rose and her garlanded 2010 debut album, Own Side Now, you were in good company. Led by her golden nectar voice, an irrepressible personality matched with a gift for emotionally direct songwriting, and deliciously melodic country sounds, Caitlin Rose beguiled and flat-out, jaw-droppingly impressed wherever she turned.

Racking up Albums of the Week plaudits from The Sunday Times, The Independent, Independent on Sunday and Evening Standard, to Albums of the Year placings from Rough Trade Shops (#4), The Sunday Times (#3 Best Newcomer of 2010 and #2 Best Song for ‘Shanghai Cigarettes’), Time Magazine (#7), The Sun (#11) and remarkably Album of the Year at the Nashville Scene newspaper.
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Festival audiences swooned to her magnetic stage presence at the iTunes Festival, on the main stage at Green Man, while End of the Road demanded an encore performance and upgraded her to the Big Top stage. She covered the Arctic Monkeys for a Record Store Day 7” released on Domino. From radio sessions with Lauren Laverne, Marc Riley and many more, to a sterling debut UK TV performance on BBC TV Newsnight Review, even the likes of venerated songwriter Nick Lowe chipped in, giving Caitlin Rose the nod for her cover of ‘Lately I’ve Let Things Slide’ on the Lowe Country tribute album.

At 25, Caitlin Rose returns with her follow up album, The Stand-In. The scope of her progression as an artist is palpable from the outset, and Rose herself concurs.

“I have a tendency to work small so this album is like my first attempt at a high kick,” acknowledging Own Side Now as a more pared down recording.
Working with old friends, Nashville producers and musicians Jordan Lehning and Skylar Wilson, and her bandmates Jeremy Fetzer (electric guitar) and Spencer Cullum (pedal & slide guitar), her crew was tightly bonded.
There’s also the small matter of Rose’s songwriting collaboration with Gary Louris (The Jayhawks), on two songs.

This is an album that contains multitudes though. ‘Everywhere I Go’ is brimful with heartburst emotions and the aching rush of first love. There’s ‘Waitin’, a vampy, rollicking ‘done-you-wrong’ song that kicks like a mule, with killer soul revue backing vocals. Classic ragtime, complete with massive opening drum fill even gets a showing, with album closer, ‘Old Numbers’ (you know those ones, you keep them in your phone, just in case).

The outpouring of acclaim Caitlin Rose generated with her debut is about to become a deluge. The Stand-In is Caitlin Rose unabashedly stating her case for being at the very forefront of the burgeoning ‘New Nashville’.

Praise for Caitlin Rose’s debut album Own Side Now:
“Confident, adventurous, eclectic and fun, this is a stunning debut”
‘Album of the Week’ 5/5 Sunday Times
“The best thing to come out of anywhere for a very long time”
‘Album of the Week’ Independent on Sunday
“Never mind one to watch, here’s one to hear” ‘Album of the Week’ 4/5 Evening Standard
“For fans of Emmylou Harris and Gillian Welch, this debut will be like catnip”
‘Album of the Week’ 4/5 The Independent
“The 21 year old with the bell-clear vocals scarcely puts a foot wrong” 4/5 Uncut
“Her debut proper more than lives up to expectations… lovely stuff” 4/5 Q
“Own Side Now is a beautifully-wrought emotional rollercoaster” 4/5 The Sun
“Major star alert” Guardian Guide
“This Nashville-raised Rose is an impressive bloom” The Observer
“Thrillingly finds her own voice” The Guardian
“Her voice is as sweet as Saturday night whisky and rings as clear as a Sunday church bell”
4/5 Daily Mirror
“The vulnerability in Caitlin’s voice chimes as true as the clink of a quarter in an old jukebox” 8/10 NME
“Sweet sounding, fabulously wry vocal drawl… a 21^st century talent” Metro