James Holden reveals new video for ‘Renata’
Ahead of the release of his first full length in seven years James Holden has revealed the video for ‘Renata’. The second cut to be taken from The Inheritors album, released 17 June, ‘Renata’s polyrhythms, coiled spring energy and fluid ebbing synths now have a visual accompaniment courtesy of Will Samuel and Jack Featherstone, who is also responsible for the album’s artwork.
Watch it here now: http://www.youtube.com/
The single, due out digitally and as a special edition marbled grey 10” on 10 June, comes with two cracking remixes. First from the venerable Daphni, who lends a typically expansive and aquatic-garage version, with added distorted vocals and echoes of Herbert circa Bodily Functions. Classy as ever. The second comes from American synth maestro and electronic producer Steve Moore from Zombi, whose mix takes things to a more minimal and wondrous place.
‘The Inheritors’ album is due out on 17 June via Holden’s own Border Community label.
James Holden has a string of all night sets lined up across Europe this summer.
Fri 14 June Barcelona Moog
Sat 15 June London Corsica Studios (Tickets)
Sat 13 July Madrid Mondo
Fri 2 August Zurich Zukunft
Praise for The Inheritors
“A fiercely original feast of experimental sound” 8/10 Uncut
‘4/5’ Mojo
“Holden has created a peerless sonic palette gathing life into its heritage as much as forging a breathtaking new ideal for a spectrum he holds so dear.” London In Stereo
“Like John Carpenter playing synth at a warehouse rave” 4/5 The Skinny
“ancient and timeless yet psychedelically futurist” 8/10 Clash
Praise for The Idiots Are Winning:
10/10’ Vice
‘A debut album of exquisite techno… The Idiots Are Winning is the most invigoratingly coherent blast of pure electronic sound since Boards of Canada remembered to set their alarm clock’ 4/5 The Observer
‘The Idiots Are Winning is beautifully skewed and steeped in atmosphere – the most astonishing debut in electronic music since Boards of Canada’s Music Has The Right To Children’ 4/5 The Guardian
‘His buccaneering, semi-slap dash approach gives these tracks stacks of personality… Euphoric Grunge; like Mudhoney covering Boards of Canada’ ‘Debut of the Month’ 4/5 Uncut
‘The main event is Holden’s ability to spin coherent and masterful pieces out of the most unlikely ingredients’ 4.5/5 DJ Magazine
‘This debut album is the work of a very special talent… Despite its metallic sheen, this record most definitely beats with a human heart’
4.5/5 The Sun
‘Holden matters because he’s got a sound that is singular and wired; stripped to the bone and starkly glistening. One nil to the non-idiots’ Fact
‘Holden is operating in a different league’ 4/5 Q
‘A classy debut’ 4/5 Mixmag
‘Like Aphex Twin, Holden favours wonky melodies and pranksterish irreverence’ 4/5 The Times
‘Fans of electronica will froth at the mouth to the unique sounds he chisels from computers… An exciting, uncompromising debut from an undoubted talent’ Clash
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