Karima Walker share video ‘Horizon, Harbor Resonance’

KARIMA WALKER SHARES VIDEO FOR ‘HORIZON, HARBOR RESONANCE’

NEW ALBUM WAKING THE DREAMING BODY, OUT 26 FEBRUARY VIA KEELED SCALES AND ORINDAL RECORDS

“[Hands In Our Names is] a perfect balance of beauty and abstraction”
Mojo ‘Rising’

“Haunting vocals and contemplative lyrics […] hypnotic”
The Sunday Times ‘Hottest Tracks’

“A subtle weave of song that impresses just a little further with each listen; like the light she sings of so beautifully, like a softness you’re not sure is real or imagined”
GoldFlakePaint

“Music that only makes sense as light fades & a blurry darkness begins to envelop”
‘Single of the Week’ Secret Meeting

“It doesn’t shout from the rooftops, it is just the sort of low-key stunning that suggests a well-placed confidence that something very special is coming our way”
For The Rabbits

“A touch that’s so delicate as to only be able to exist in a liminal space – a dream environment where Walker’s vision and the listener meet”
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Watch the video for ‘Horizon, Harbor Resonance’ here:
https://www.youtube.com/watch?v=NdmSETnYd6I

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Tucson, Arizona artist Karima Walker recently announced the follow-up to her acclaimed 2017 album Hands In Our Names with a music video for the first track on the album ‘Reconstellated‘. Today she has followed up with the video for ‘Horizon, Harbor Resonance’. The track is a 13-minute visual journey along the Rio Grande River valley in New Mexico and Colorado. The instrumental track is both pulsing and tranquil, punctuated by tape whispers and lunar swells of organ. The video was shot and edited by Karima herself.Karima Walker explains:

“I have been obsessed with waves and tsunamis for the past few years (Harbor Resonance is an effect that happens during a tsunami, where the force of the wave is magnified when it’s contained) and this song was a way of working through that obsession.

The video traces the Rio Grande River valley across the New Mexico Colorado border. Touring in the western US, on these long drives, I would enter a kind of altered state, watching the landscape change over many hours. This particular region stayed with me, and ended up inspiring large parts of the record and Horizon, Harbor Resonance especially. I remember passing San Antonio mountain for the first time. It’s the mountain you see toward the end of the video. It’s unattached to any range (a friend recently told me that it is the largest free standing mountain in the continental US), and rises up out of the desert as you leave New Mexico. It’s massive and takes a while to pass, marking the beginning of the San Juan Mountains.

I wanted to share this special way of seeing with people, to stretch and compress time like in a dream, the way mountains will sometimes move like water as you move through a landscape over the course of a day, and how our experience changes when the ‘eye’ is steady or hand held. These ways of seeing change our perception and experience, and so too our participation in a place and our access and connection to it.”

The new album Waking the Dreaming Body was written, performed and engineered entirely by Walker, a 40-minute dream-narrative of her conscious and subconscious minds that oscillates between the rich textures of her ambient compositions and the melody and poetry of her melancholic songwriting. As night repeatedly falls across the record – this ebb and flow recalls the liminal states of half-sleep. Recorded in her Tucson, Arizona home Waking the Dreaming Body‘s uncanny sound design also evokes the delicacy, grandeur and terrifying enormity of the American Southwest.

Photo credit: Holly HallHigh-res images can be found here.

Preorder the album on special-edition vinyl, black vinyl, CD, & cassette here:
https://karimawalker.bandcamp.com/album/waking-the-dreaming-body