Luke Abbott shares new track ‘Earthship’


LUKE ABBOTT SHARES NEW TRACK ‘EARTHSHIP’
FIRST SOLO ALBUM IN SIX YEARS TRANSLATE OUT 30 OCTOBER VIA BORDER COMMUNITY
Listen to ‘Earthship’ alongside a visualisation made by Luke here:
https://www.youtube.com/watch?v=veZRYThtOug
“This is memorable music for exceptional times”
4/5 Mojo ‘Electronic Album of the Month’
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Luke Abbott recently announced his first solo record in six years Translate will be released on 30 October via Border Community. Along with the announcement he shared ‘Kagen Sound‘ and today has followed up with new single ‘Earthship’ alongside a visualisation also created by Luke. Like it’s namesake, the track feels like an ever-intensifying journey through space – whirling synths and rumbling bass building to a purposeful yet disorienting final destination.
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Speaking of the track Abbott says:
“Of all the tracks I recorded for this album, ‘Earthship’ felt the most magical when it happened. I wasn’t planning on using the guitar when we started the sessions, but it was just sitting there, so when I started playing this doomy slow thing it just felt right to hit the guitar a few times. We had these microphones setup outside the studio picking up street noise and on this track we ended up with some radio and children going past. I couldn’t hear those bits when I was playing it, but when we brought the faders up to check the take there were all these sounds that had magically arrived and fit into the track perfectly. The track feels like flying through space, so I named it ‘Earthship’ as a nod to Buckminster Fuller’s ‘Operating Manual For Spaceship Earth’. An Earthship is also a type of passive eco home, built of recycled materials. “
In the time since his last solo record, Luke Abbott has had to re-forge his relationship with making music alone. His solo work has always been deeply entwined with his sense of self and during a tumultuous time in his personal life that needed to be re-evaluated, and so did the music along with it. The result is Translate, a record that sees Abbott with a renewed sense of purpose. Written, recorded and produced by Abbott – Translate is a strikingly direct body of work that retains a great depth and fullness. At times dark and ominous, others bright and welcoming, this is Abbott’s sound fully realised and never so sure of itself.
At various intervals throughout the summer of 2019 (eleven days over four months) Abbott left behind his own compact mix studio in Norwich to make the pilgrimage to close friend and co-conspirator James Holden’s laidback London studio complex Sacred Walls. Together with “engineer and spiritual guide” Holden, the first task was to assemble a sort of speaker-henge of up to eight speakers dotted around the room to which the various individual component parts of each track were dispersed. Positioning himself in the centre of the room and sound, Abbott approached the recording as a series of improvised solo live performances through which the essence and optimal arrangement of each track could be gradually uncovered, and sometimes instantly revealed, as he felt out the permutations of his compositions in real time. A bonus microphone set up in the corridor of the building allowed diverting documentary snippets of West London industrial estate life to bleed into the recordings.
High-res images can be found here.
Photo credit: Laura LewisPre-order Translate here:
https://www.lukeabbottmusic.com/buy