Phosphorescent plays London tonight & May UK Dates Announced

Having sold out his intimate solo show tonight at St. Pancras Old Church within two hours, Matthew Houck aka Phosphorescent has announced a small UK tour set to follow the release of his second album Muchacho due out 18 March via Dead Oceans. This includes a headline show at London’s Village Underground.

Phosphorescent will also be taking his band to this year’s SXSW, details to follow soon.

Phosphorescent Live Dates:
Tues 7 May Manchester Ruby Lounge
Wed 15 May London Village Underground

You can hear lead track ‘Song for Zula’ from Muchacho here: http://www.youtube.com/watch?v=FcdOLKx2XG8

“’Song For Zula’ is the kind of stop-you-dead single you only hear once in a blue moon… gorgeous enough to melt ice in your drink at 40 paces” The Independent

“The sound is bigger, airier, and more mysterious than anything the band’s ever done… It is a stunning piece of music; it sounds like an allegory, like a dream” Pitchfork
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Nearly three years on from his breakthrough album Here’s To Taking It Easy, Phosphorescent returns to the fray with his most stunning record yet: Muchacho. During the last album’s ‘cycle’, one could almost hear jaws hitting the floor witnessing a live band of such infinite verve. Not only did the album draw high praise in the form of Mojo’s ‘Album of the Month’ (#8 End of Year), Sunday Times & The Independent ‘Albums of the Week’, hit Rough Trade’s Top 5 Best of the Year, but the band also supported The National over the course of three sold out nights at Brixton Academy, a show that The Independent gave 5/5 and called “a sublime, joyous gig”.

Praise for Here’s to Taking It Easy:
‘Album of the Month’ Mojo
‘CD of the Week’ Sunday Times
‘Album of the Week’ The Independent
“A bold record, steeped in the golden, rich sounds of classic rock and country” 4/5 Uncut
“A mouthwatering harvest of Gene Clark and Neil Young’s fantasy offspring” 4/5 Q
“Phosphorescent has too much ethereal otherness to be dismissed as mere alt. Country” 8/10 NME
“Uniformly excellent” Independent On Sunday
“An album that constantly mixes tragedy with beauty” 4/5 The Guardian